A collection of blues classics and rarities, Alone With Blues
For Diesel, the blues are never far away. From solo hits ‘Come To Me’ to ‘Days Like These’ and back to his blues-based 1996 collaboration with Chris Wilson, ‘Short Cool Ones’ and 2009’s ‘Project Blues’, he’s always infused the spirit and the sound into his music.
But unlike anything he has released before, every facet of Alone With Blues has been prepped and cooked by Diesel himself.
Alone With Blues contains 11 tracks of veteran virtuosity from the multiple ARIA award-winning singer and guitarist, augmented by double bass, blues harp, cello, percussion and more, all played and recorded solo at Diesel’s own Sydney studio during the 2020 COVID go-slow.
What began of necessity offered its own challenges: how to best record music that you’ve always considered a collaborative artform, namely the blues, when you’re alone? Diesel’s method was to go deep into each song, to capture what’s special and hypnotic about each, and he was hell-bent on getting those subtleties into the grooves.
Alone With Blues resonates with memories of the late great Chris Wilson, Diesel’s partner on the Short Cool Ones album, which is celebrating its 25th anniversary this year.
Both Alone With Blues and Shor
Another standout element is the supple and rhythmic double bass, used to effect on ‘Work Song’ (Cannonball Adderley) and a haunting version of Sam Cooke’s ‘Lost and Lookin’ – the current single. “Sam is a benchmark singer for me”, says Diesel, “if there's any one person I want to sound like, it's him. His phrasing is insane, immaculate.” With Alone With